Never Clever

“Popscene” is often called Blur’s great lost single. I will deal with the song itself later, but it’s necessary for some context here. In short: it was released in early ‘92, flopped, the album it was supposed to be on got scrapped and, to punish the audience, the band has refused to release it on any Blur compilation since, despite it being on nearly every one of their setlists.

The second single that was supposed to be lifted from the legendary lost album was “Never Clever”, but after life, alcohol and an unsympathetic record company getting in the way it was scrapped. Since then it’s been released in a shambolic live version, recorded at Glastonbury ‘92, as a b-side to “Chemical World”, while a more polished studio version was included on the Food Records anniversary album Food 100. In other words, “Never Clever” has been treated with far more discourtesy than it ever deserved.

In many ways “Never Clever” makes the perfect bridge between Leisure and the band’s more mature work that would follow; the drumming is reminiscent of the earlier Madchester-influences, but they’re played with an aggression that was never really there before, unless you go back to those pre-Blur days of Seymour. The almost-a-guitar-solo middle-8 with its backing vocals also wouldn’t have sounded out of place on Leisure, but the band are much more tight. Damon’s abilities as a writer of lyrics, in the meantime, had obviously improved, and are a logical continuation thematically of what had already been written about on “Popscene”: loss of identity in being compliant.

The live version adds some mild cursing and screaming, and Damon’s assessment, “well, that was good”. It certainly was.

Published in:  on June 5, 2007 at 1:23 pm Leave a Comment

Crazy Beat

Like pretty much all bands with big catalogues, Blur have released a fair few weaker songs, but there are only two that I actually hate. One of them was only a b-side and is easy to overlook (at least until I decide to write about it). The other one was not only an album track nestled in between two of that album’s highlights, but unforgivably deemed good enough to follow the unquestionably excellent previous singles up the charts.

Maybe it’s because of having a universally acclaimed guest vocalist that the band or record company thought this Think Tank’s answer to “Song 2″, but fact is that not even Donald Duck could save this Norman Cook produced monstrosity. It did manage to get to number 18 on the UK charts, the worst that any Blur single had done since “End Of A Century” at that point, and I suspect that it would’ve sold even less hadn’t one of the b-sides been one of the last songs the band had written and recorded with Graham Coxon, who famously left the band during the sessions for the album.

Donald Duck went on to collaborate with Scott Walker on “The Escape” to much greater effect, but has, for now, put his singing career on hold.

Published in:  on at 9:06 am Comments (7)